Why the importance to cadence shooting?
#1
Posted 22 December 2011 - 11:07 AM
It's all good 'til that point but my question is: What is the importance of learning cadence shooting?
#2
Posted 22 December 2011 - 11:25 AM
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#3
Posted 22 December 2011 - 11:48 AM
One part that helped though, was evening out splits and transitions. If you do like that drill says, but split it between say 3 targets, two shots each and count to 6. Count evenly, splits and transitions taking the same amount of time and go faster and faster. I found that helped to get rid of the shoot two, transition, shoot two syndrome. Definitly helped my fluidity on clusters of targets.
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#4
Posted 22 December 2011 - 12:24 PM
Yeap, that is the way that I thought targets need to be engaged but I keep hearing all the top dogs talk about the importance of learning cadence shooting.I'm at the point where I have a cadence in my mind for how fast I think I should shoot something...
#6
Posted 22 December 2011 - 12:56 PM
I had confused "cadence shooting" with shooting in a rythm vice shooting at a speed required for the difficulty and distance to the target. A shot at 10 yards sounded the same as a shot at 20 -25 yards. Simply put - I was lazy behind the gun.
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#7
Posted 22 December 2011 - 01:48 PM
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#8
Posted 22 December 2011 - 02:11 PM
Now THAT I can understand!! Life makes sense now; Thank You!!Drive for show putt for dough, in golf terms. Fast splits look cool on video but what wins the stages is fast transitions. You don't necesarily need to slow down you splits, if your getting good hits but speed up the transitions to match the splits and still get good hits is the trick. Take a 100th or 2 off your splits to see good sights and speed up your transitions a 100th or 2. Same time right but probably end up with better hits. Now speed it all up together.
#9
Posted 22 December 2011 - 06:53 PM
In a match your cadence should come as a subconscious effort. It will depend on the specific set of shots for that array of targets. I know that when I have an array of four targets, when my cadence is smooth, my shots are called, I post my fastest times.
There is nothing wrong with working on your cadence. Every GM I ever talked to, mentioned something about cadence. I have watched several super squads over the years. They one thing that perks up the gallery is a smooth cadence. They all stop talking and start watching the shooter.
I think Matt Burkett had a cadence drill on his website at one time.
For me, cadence drills are in my set of drills that I practice. I have steadily become a better shooter via good solid drills.
#10
Posted 22 December 2011 - 07:09 PM
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#11
Posted 22 December 2011 - 07:11 PM
If you let cadence drive your actual shooting...your screwed. You will end up a slave to the cadence. You will break the shot when cadence tells you to...whether you are on target or NOT.
Vision is where it's at. I end up shooting faster with vision anyway.
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#12
Posted 22 December 2011 - 10:51 PM
#13
Posted 23 December 2011 - 06:23 AM
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#14
Posted 23 December 2011 - 08:00 AM
I keep hearing all the top dogs talk about the importance of learning cadence shooting.
This is just my take, but it IS important to learn about cadence and how it can help your shooting, but its not the shooting in and of itself. Just as my daughter uses her metronome while practicing piano to establish her rhythm and flow for a particular piece, she puts it away once her pace is established. Cadence doesn't dictate her artistic interpretation (vision) of where the pauses and uptempo variations occur while she is performing. Its the difference between copying music and producing art.
You can also think of cadence and how it relates to commas and periods. If you use constant cadence while writing a paragraph (no commas or periods) we would all sound like robots. Cadence can help with transitionary aspects of flowing from one word to another, but to write articulately, you need a higher knowledge of sentence structure. 1,1,1,1,1,1 = The cat ran up the tree. vs 1,1__1,1__1,1 = The cat. Ran up. The tree.
Shooting two very close targets, one 40 yard steel, then 3 more close targets, it might be a good time to insert a period to break up the cadence. 1,1,1,1. ____1.____1,1,1,1,1,1. If you watch the top shooters shoot, it sounds like they are playing a musical composition, the targets and their positioning are the sheet music.
If you look up the definition of Cadence the common definition is "Balanced, rhythmic flow." But in music, it is defined as "A progression of chords moving to a harmonic close, point of rest, or sense of resolution."
In closing, Cadence isn't a method or way of shooting, its a training tool. You don't think of shooting in cadence WHILE you are shooting a stage. Some sections of the stage may be better served by flowing through the targets with a rhythm but its done subconsciously. Your vision reads the "notes" and your subconscious plays it.
Edited by Kali, 23 December 2011 - 08:46 AM.
#15
Posted 30 December 2011 - 08:59 PM
#16
Posted 30 December 2011 - 09:41 PM
The purpose behind PRACTICING with a cadence is to force you to control the gun to get back into the target and be able to see what you need to see to break the next shot - and to learn what that looks and feels like. This may involve shooting a single target at a specific cadence to work recoil control and trigger control aspects (it takes discipline to shoot a cadence with a specific timing and not just start hammering at the target). It might involve target transitions (for instance, three targets, shoot two at each target, but break each shot on a 1/2 or 1/4 second cadence). It might involve movement (typically with a longer cadence, depending on the drill).
It works because it forces you to have the gun back on target, lined up, trigger prepped exactly when the cadence beat arrives - this is a somewhat different kind of work from just driving the gun, and it develops the skill set from a different direction. As a practice tool, it's extremely useful. It also gives you a different and frequently more useful way to push on your transition times. It's not a tool you want to use a lot - it's powerful medicine, and as such should be taken in small doses...
Contrast that with how you approach shooting a stage at a match - you don't want to rely on a cadence at all, you want to see the sights and drive the gun based on sight picture (which is what everyone's saying above).
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#17
Posted 29 June 2012 - 10:50 AM
Since no one has actually answered the OP's question...
The purpose behind PRACTICING with a cadence is to force you to control the gun to get back into the target and be able to see what you need to see to break the next shot - and to learn what that looks and feels like. This may involve shooting a single target at a specific cadence to work recoil control and trigger control aspects (it takes discipline to shoot a cadence with a specific timing and not just start hammering at the target). It might involve target transitions (for instance, three targets, shoot two at each target, but break each shot on a 1/2 or 1/4 second cadence). It might involve movement (typically with a longer cadence, depending on the drill).
It works because it forces you to have the gun back on target, lined up, trigger prepped exactly when the cadence beat arrives - this is a somewhat different kind of work from just driving the gun, and it develops the skill set from a different direction. As a practice tool, it's extremely useful. It also gives you a different and frequently more useful way to push on your transition times. It's not a tool you want to use a lot - it's powerful medicine, and as such should be taken in small doses...
Contrast that with how you approach shooting a stage at a match - you don't want to rely on a cadence at all, you want to see the sights and drive the gun based on sight picture (which is what everyone's saying above).
I know this is an old topic but thanks for the excellent explanation, Dave.
#18
Posted 30 June 2012 - 09:11 AM
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